Oro, Plata,Mata and Yolanda
Much attention has been given Peque Gallaga's supposed rant against the government's alleged failure to deal with the Yolanda super typhoon aftermath. Whether or not the 70-year-old director actually wrote this letter, which is a well-written manifesto, I would rather go back to his masterpiece from 31 years ago -- the film Oro, Plata, Mata. The film tells the story of two haciendero families in Negros, and how World War II turned their world upside down. The war was like a super typhoon that stripped society of its social hierarchy and structure and exposed underlying conflicts between social classes, good and evil, and family members. It exposed man's inhumanity to man and confronted him with his humanity. It forced people to choose between survival and their values, between dignity and their basest instincts. In the end, no one was left untouched. The war changed everyone's life forever. Some hiding secrets, some harboring regrets, and some emerging scarred but
